Shelby Young

PCAP & VO Actor

Shelby Young | Playing Pretend, Honoring The Character, & Doing The Work
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Guest Bio

Shelby Young was playing pretend long before it was her professional career. Growing up in Florida, she has the home videos to prove that as a toddler she would act alongside movies as they played on the television, and she'd dig through her trunk of dress-up clothes, creating characters that she'd rope her grandfather into playing along with her. Turning this playfulness into a profession started early, when her grandmother spotted a notice for a local pageant in the newspaper and suggested Shelby try for it. So Shelby's mother took her to the pageant, and she won. Shelby found the pageants fun, so she and her mother kept partaking in them. Unbeknownst to them, some of the judges were modeling and commercial agents, and soon those agents were interested in representing Shelby. After a year of begging, Shelby convinced her mother to sign with an agent, and her professional career began. She started with modeling and then moved to commercial work, which allowed her to become a card-carrying SAG member by the young age of five. Modeling didn't satisfy her for long because, as Shelby put it, "I'm not talking enough." She told her mother that all anyone wanted was for her to smile, and all she wanted to do was talk. They followed that urge, and it shifted her more towards film and television, and at seven or eight she booked her first episodic series. In that time, she also got to explore voice work through animated cereal commercials, not realizing she was being introduced to a form of performance that would later define her career. The more Shelby worked, the more her life changed. She found herself flying back and forth to New York, school became homeschooling so she could work, and her agents suggested to give LA a try and "only go for pilot season", but once there she started booking regularly and soon after LA and the entertainment industry became her home.

"I love playing pretend. I have since I was a little girl. I had a big trunk of dress up clothes, and that would be what I would make my grandpa do with me all the time is play pretend. And I am in that same headspace when I'm acting."

Shelby's career continued to grow and be successful across film and TV, but at the age of eighteen, Shelby walked into what she thought was another on-camera audition, only to discover it was an audition for the video game Dead Rising 3. She booked the female lead, a zombie-killing badass named Annie, with Tom Keegan directing, and she experienced PCAP for the first time. This shoot changed the trajectory of her life because PCAP combined everything she loved: the long single takes felt like theater, but at the same time it felt like film, with no makeup or lighting to fuss over, just a room to play pretend with other actors. About two years later, with Dead Rising 3 under her belt, Shelby was introduced by her reps to the voice agents she has now been with for a decade, and she began regularly adding VO and PCAP to her work. Despite loving TV and film, the more Shelby worked in voice over, the more she realized it was where she found the most enjoyment. Shortly after, an ADR job confirmed her feelings when it landed on the same day as an on-camera callback. Her on-camera agent asked what really mattered to her, and the question led to an epiphany: she would prioritize her work and hone her skills in voice over rather than film and television. After she made that decision, the work she wanted arrived in force over the years! It was, as she puts it, more real acting than she'd ever had the chance to do on camera, and it let her dive into roles and franchises she never thought she would be a part of. PCAP took her into God of War Ragnarök, Star Wars Jedi: Survivor, and twice to Sweden — first as Soph in Wolfenstein: Youngblood, then back for Horizon Call of the Mountain. In the booth, free from being cast by her appearance, she could be an alien warrior in her forties one day, an eight-year-old boy the next, and the voice of a lot of smart assistants. Among all those roles, she has also found herself in some of the biggest franchises, playing iconic characters such as Batgirl and even Princess Leia in LEGO Star Wars: The Skywalker Saga. It's an honor she can hardly put into words, and one she takes incredibly seriously.

"PCAP combined all of the things that I love. it felt like on camera, and it also felt like theater, because you have these one shots, these one takes, and you're relying on the other actors."

Nowadays, Shelby continues to work through the most fulfilling stretch of her career yet, in the booth and in the volume. Unexpectedly, social media too has now joined her portfolio of work. She joined TikTok during lockdown on a whim, and to her surprise, Good Morning America called to talk about voice acting. What began as a fun way to practice her craft grew into a whole other career she never anticipated. Every day, Shelby hears from curious people asking how to get into this industry, so she uses her platform to give them a peek behind the curtain at how the work is really done, without ruining the movie magic. She is honest about what's back there: there is no such thing as a "good voice"; every voice is the right fit for some characters and wrong for others; and at the end of the day, the job is ninety-nine percent acting. It's a challenging industry that will force you to grow, but as long as you put in the work and sharpen your skills, you can do it. Shelby's ambition is to simply keep growing and to do this for the rest of her life. Building a career of playing pretend, with higher stakes. Putting on different hats for whatever the role requires, just as she would put on different hats while playing with her grandfather all of those years ago.

"You need to have a thick skin. You need to not take it personally, and you need to just truly put in the time and the effort and the training. If this is something that you want to do, you cannot rush it. It doesn't happen overnight. Every overnight success story usually has ten years behind it."

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Special Notes

Questions Asked

1. "Did you always want to be an actor? When did that start, and what was the catalyst?"

2. "What was your experience working as a child actor, how do you feel like that's benefited you in your career, and do you think there's been anything not so beneficial?"

3. "Did you anticipate getting involved with VO? At what age did video games come into the picture, and were you a gamer at that time?"

4. "What are the trade-offs and the benefits of getting to do Performance Capture versus VO?"

5. "What's your process for connecting with and grounding your characters?"

6. "You have quite the presence now on TikTok and Instagram, was this something you planned to dive into, or how did it happen? And why is it important to you to show people behind the curtain?"

7. "What do you feel are the common misconceptions about VO or PCAP and mocap that you hope people would know before they get into this industry?"

8. "I would love to know about your audition routine. How do you block out time for your auditions?"

9. "Can you explain the work you do for 'previs shoots,' and what benefit a production has in doing previs shoots?"

10. "When you run into those burnout phases, how do you handle them, how do you recharge, and do you have any advice for people on managing burnout?"

11. "How do you manage relationships in this industry, especially in LA?"

12. "When you're playing a character that's already established, what do you look for to honor the character, and where do you see the opportunities to add in yourself?"

13. "What have you learned about longevity in the business, and where do you see this voice career going with the way that things are happening right now with technology?"

Episodes